{"title":"Non-fiction","description":null,"products":[{"product_id":"ad-averne-la-stoffa","title":"Ad averne la stoffa","description":"\u003cp style=\"margin-top:0px;margin-bottom:1rem;font-size:14px;color:#8c8c8c;line-height:25px;font-family:Rufina, serif;background-color:#ffffff;\"\u003eChe ci fa un sarto su una barca in mezzo al mare, con un carico di stoffe? Cosa direbbero la seta, il bisso, un paio di jeans o un abito smesso, se per una volta potessero raccontare la loro storia in prima persona?\u003cbr\u003eE un calzino bucato poi, perché parlarne?\u003cbr\u003ePretesti, pretesti perfetti pescati a caso tra i mille possibili che le stoffe concedono per raccontare di epoche precise, dei mille mestieri che le riguardano, di personaggi romantici e avventure anche solo plausibili.\u003cbr\u003eE poi i ricordi personali, quelli che ognuno ha, da ritrovare tra le parole e di cui prendersi nuovamente cura. Di questo, di stoffe, tessuti e ricordi altrui in cui ritrovare i propri, vorrebbe raccontare questo libro.\u003c\/p\u003e\n\u003cp style=\"margin-top:0px;margin-bottom:1rem;font-size:14px;color:#8c8c8c;line-height:25px;font-family:Rufina, serif;background-color:#ffffff;\"\u003e\u003cstrong\u003ePiero Tallarico\u003c\/strong\u003e nasce a Savelli (Crotone) nel 1963. Trascorre a Milano infanzia e adolescenza; nel 1988 si trasferisce a Pisa, dove attualmente vive.\u003cbr\u003eScrittura, musica e cucina le sue principali passioni. Per Carmignani Editrice ha pubblicato Il Ricettacolo (2014) e Il cielo non era granché (2016).\u003cbr\u003eDa oggi si intende anche di stoffe e tessuti.\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Default Title","offer_id":53456864641288,"sku":"E-BOOK 978-88-3340-181-2","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/1679.jpg?v=1773074364"},{"product_id":"glengarry-glen-ross-di-david-mamet","title":"Glengarry Glen Ross di David Mamet","description":"\u003cp\u003ePremio Pulitzer nel 1984, il Glengarry Glen Ross di David Mamet va in scena in Italia nell’autunno 2016, all’Eliseo di Roma, nella traduzione di Luca Barbareschi.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eQuattro agenti immobiliari di Chicago, Levene, Roma, Moss e il loro supervisore, Williamson, lavorano insieme vendendo proprietà improbabili a prezzi gonfiati. La storia ha inizio nel momento in cui i capi dell’agenzia, Mitch e Murray, lanciano una “gara di vendita”: il venditore che ottiene il guadagno più alto vince una Cadillac, mentre i due che ottengono il risultato più basso saranno licenziati. I profitti di ciascuno di loro vengono scritti su una lavagna e Roma è in cima alla lista come miglior venditore, mentre gli altri tre fanno sempre più fatica. Si scatena così una battaglia senza quartiere per accaparrarsi clienti e contratti, finché la situazione precipita…\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eDAVID MAMET (Chicago, 1947), regista e autore teatrale, nonché attore, produttore cinematografico americano. Nel 1984 vince il premio Pulitzer con “Glengarry Glen Ross”, che lui stesso adatterà per il film “Americani” di James Foley del 1992. Nel 1981 firma la prima sceneggiatura cinematografica per “Il postino suona sempre due volte”. Nominato due volte agli Oscar per la sceneggiatura,  nel 1983, per “Il verdetto”, e nel 1998, per “Sesso \u0026amp; potere”, debutta come regista nel 1987 con “La casa dei giochi”, vincendo a Venezia il premio per il miglior film.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eIl volume è stato presentato in antemprima il 15 giugno in occasione della conferenza stampa di presentazione della stagione 2016-2017 del Teatro Eliseo a Roma, diretto da Luca Barbareschi \u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Default Title","offer_id":53456864936200,"sku":"E-BOOK 978-88-3340-183-6","price":2.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/1680.jpg?v=1773074369"},{"product_id":"la-piccola-citta-di-thornton-wilder","title":"La piccola città di Thornton Wilder","description":"\u003cp\u003eWilder's hymn to ordinary lives\u003c\/p\u003e\n\u003cp\u003eThe play opens by introducing the audience to its setting, Grover's Corners, and to the Stage Manager, the narrator of the play, who also interacts with the audience. The Stage Manager is omniscient: he knows the thoughts and actions of all the characters. Grover's Corners is a small town, still years away from its first automobile. As the Stage Manager notes, most families stay in Grover's Corners forever; they are born and die here. The first act of the play shows the daily life of Grover's Corners. We are introduced to two families: the Gibbs family and the Webb family. The Stage Manager comments to the audience about the actions of the first act, which include a newsboy delivering papers, milk being delivered, Doc Gibbs leaving for work, and the Webb family eating breakfast. When the children leave for school, Mrs. Webb and Mrs. Gibbs meet to talk for a while. In the second part of the first act, we see the children, George Gibbs and Emily Webb, interact with each other. George compliments Emily on a speech she made at school and Emily watches him play ball. In the second act of the play, we are told that three years have passed. The morning starts just as the previous act, newspaper and milk being delivered and the families eating breakfast. However, this morning, as we learn, Emily and George are getting married. The Stage Manager updates the audience on the last three years that led to the wedding between the two: George and Emily had a fight about how their friendship had changed, George took Emily for a soda at the drugstore, and the two admitted that they had feelings for each other. Before the wedding, both George and Emily worry about growing older and having to grow up. The final act opens in the cemetery. We learn that several characters have died, including Mrs. Gibbs and Wallace Webb. Emily has also died during childbirth. The remaining characters are there to prepare for Emily's funeral. Emily sits with Mrs. Gibbs watching the funeral from beyond the grave and decides that she wants to go back, if only for a moment, to see the life that she had lived. The Stage Manager takes Emily back in time to her twelfth birthday. Emily watches her family, but it is all too much for her. She returns to the cemetery, and those who have died talk about living and how they do not fully understand what life has to offer.\u003c\/p\u003e\n\u003cp\u003e“This is the way we were: in our growing up and in our marrying and in our living and in our dying”.\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Default Title","offer_id":53456869097736,"sku":"E-BOOK 9788833401843","price":2.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/1764.jpg?v=1773074461"},{"product_id":"la-piccola-citta-di-thornton-wilder-1","title":"La piccola città di Thornton Wilder","description":"\u003cp\u003es i l l a b e inaugura con questo titolo il nuovo settore TEATRO, che si affianca a quello tradizionale dell’arte.Non poteva iniziare in modo migliore. Quella che presentiamo oggi infatti è la traduzione di Fruttero \u0026amp; Lucentini della piéce teatrale \u003cstrong\u003e\u003cem\u003eOur Town\u003c\/em\u003e \u003c\/strong\u003edi Thornton Wilder (1938), vincitrice del premio Pulitzer come miglior testo teatrale nello stesso anno.\u003c\/p\u003e\n\u003cp\u003eImpreziosito dalla brillante introduzione di Will Eno questo volume inaugura la nuova serie della collana \u003cstrong\u003eArcadia \u0026amp;\u003c\/strong\u003e \u003cstrong\u003eRicono\u003c\/strong\u003e edita, promossa e distribuita da Sillabe.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiccola Città \u003c\/strong\u003eè una commedia teatrale in tre atti, allestita e pubblicata nel 1938 e ambientata a Grover's Corner, una piccola città del New Hampshire. Un narratore e un direttore di scena siedono su un palcoscenico spoglio e raccontano l'azione. Attraverso flashback, dialoghi e monologhi gli altri personaggi si raccontano al pubblico. Il principale è George Gibbs, il figlio del dottore, e Emily Webb, figlia di un editore. Dopo anni di amicizia e di corteggiamento, i due finalmente si sposano. La loro è un’esistenza del tutto ordinaria, come quella dei concittadini. La semplicità e la ripetitività delle loro vite è raccontata nei primi due atti, in cui sembra che a Grover’s Corners non accada niente, se non alternarsi di colazioni, interrogazioni a scuola, discussioni su freddo e pioggia con i passanti, prove di canto in chiesa. Ma \u003cem\u003ePiccola Città\u003c\/em\u003e non è la semplice storia di un paesino della provincia americana. È una riflessione sulla morte e sulla quodifianità, un piccolo capolavoro sul valore della quotidianità. Wilder  invita ad apprezzare la vita nelle piccole cose, nei gesti ripetuti, nelle situazioni più consuete e prevedibili, nei momenti più ordinari. Invita insomma a non sprecare il tempo che ci è dato. L'opera è diventata un pilastro della drammaturgia americana, un classico inserito nella programmazione scolastica.\u003c\/p\u003e\n\u003cp\u003e “La piccola città non vuole essere il quadro della vita in una comunità del New Hampshire, né un’ipotesi sulle condizioni di esistenza dopo la morte (quello è semplicemente un elemento che ho preso dal Purgatorio di Dante).\u003c\/p\u003e\n\u003cp\u003eÈ il tentativo di trovare un valore supremo per tutti i piccoli eventi della nostra vita quotidiana. Le parole che ricorrono continuamente in questa commedia sono “centinaia”, “migliaia”, “milioni”.\u003cbr\u003eLe gioie e i dolori di Emily, le sue lezioni di algebra e i suoi regali di compleanno,\u003cbr\u003eche valore ha tutto questo quando consideriamo i milioni di ragazze che hanno\u003cbr\u003evissuto, che vivono e che vivranno?\u003cbr\u003eOgni aspirazione individuale a una realtà assoluta può solo essere interiore [...]”. Thorton Wilder.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThornton Wilder\u003c\/strong\u003e (Madison, 17 aprile 1897 – Hamden, 7 dicembre 1975) è stato uno scrittore statunitense. È stato vincitore di tre premi Pulitzer: uno per il romanzo Il ponte di San Luis Rey e due per le commedie Piccola città e The Skin of Our Teeth; inoltre ottenne il National Book Award per il romanzo The Eighth Day.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFruttero \u0026amp; Lucentini\u003c\/strong\u003e Il binomio Fruttero \u0026amp; Lucentini, spesso abbreviato in F\u0026amp;L, indica il sodalizio artistico, detto anche \"La Ditta\", fra gli scrittori Carlo Fruttero (1926-2012) e Franco Lucentini (1920–2002). I due hanno firmato collaborazioni giornalistiche, traduzioni e romanzi, soprattutto gialli, molto amati dal pubblico.Sempre in coppia si sono occupati anche di fantascienza, dirigendo la collana Urania (Mondadori) per più di un ventennio (1961-1986) e raccogliendo diversi volumi di antologie.Hanno scritto la sceneggiatura dello sceneggiato La pietra di Luna (1972), regia di Anton Giulio Majano (adattamento da The Moonstone di Wilkie Collins), alcuni episodi di Processi a porte aperte (1968) di Lidia C. Ripandelli e appaiono nel documentario Il gioco del giallo (1980) di Corrado Farina.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWill Eno \u003c\/strong\u003e(1965) è un drammaturgo americano. Il suo testo teatrale, \u003cem\u003eThom Pain (basato sul niente)\u003c\/em\u003e è stato finalista al \u003cstrong\u003ePremio Pulitzer\u003c\/strong\u003e nel 2005, ed è stato interpretato in Italia da Elio Germano. \u003cem\u003eI Realistici signori Jones\u003c\/em\u003e è stato prodotto a Broadway nel 2014, dove ha vinto un \u003cstrong\u003eDrama Desk Award\u003c\/strong\u003e come Miglior Opera Teatrale, oltre a ricevere il premio come Miglior Opera dal \u003cstrong\u003eGuardian\u003c\/strong\u003e e dal \u003cstrong\u003eUSA Today\u003c\/strong\u003e. \u003cem\u003eThe Open House\u003c\/em\u003e è stato presentato a New York al Signature Theatre dove ha vinto un \u003cstrong\u003eObie Award\u003c\/strong\u003e, il \u003cstrong\u003eLortel Award\u003c\/strong\u003e, il \u003cstrong\u003eDrama Desk Special Award\u003c\/strong\u003e, ed è stato inserito nella lista dei migliori testi teatrali del 2014 dal \u003cstrong\u003eTIME\u003c\/strong\u003e e da \u003cstrong\u003eTIME OUT NEWYORK\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Italian","offer_id":53456984244488,"sku":"978888347804-8","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/694.jpg?v=1773074700"},{"product_id":"calendar-girls","title":"Calendar Girls","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eChris and Annie are close friends, and run their quiet lives in a tiny Yorkshire village. When Annie's husband dies with leukemia, Chris decides to raise funds to replace the sofa in the hospital waiting room, involving the Women Association she is part of. With the complicity of a photographer friend, they decide to publish a calendar depicting  their daily activities but with a special twist... they are totally undressed! \u003c\/span\u003eBased on a true story, the ladies raised over £1million for the Leukemia Society.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cspan\u003eThe play is forewarded by \u003cstrong\u003eFranco Mandelli\u003c\/strong\u003e, President of \u003cstrong\u003eAIL\u003c\/strong\u003e (Associazione Italiana contro le Leucemie, i Linfomi e il Mieloma)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color:#ff6600;\"\u003e\u003cstrong\u003eAbout the Author                                                                                                                                              \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eTim Firth \u003c\/strong\u003eis an acclaimed English dramatist, screenwriter and songwriter. His theatre credits include \u003cspan class=\"tims-body-text-bold\"\u003eNEVILLE'S ISLAND\u003c\/span\u003e (Nominated for Best Comedy - Evening Standard \u0026amp; Olivier Awards 1994, winner Beat Play MEN Awards 2006), \u003cspan class=\"tims-body-text-bold\"\u003eTHE SAFARI PARTY\u003c\/span\u003e, the musical \u003cspan class=\"tims-body-text-bold\"\u003eOUR HOUSE\u003c\/span\u003e (Olivier Award for Best New Musical 2002), \u003cspan class=\"tims-body-text-bold\"\u003eTHE FLINT STREET NATIVITY\u003c\/span\u003e ( Liverpool Playhouse) and  \u003cspan class=\"tims-body-text-bold\"\u003eSIGN OF THE TIMES \u003c\/span\u003e(UK tour and West End). Tim's stage adaptation of \u003cspan class=\"tims-body-text-bold\"\u003eCALENDAR GIRLS\u003c\/span\u003e, produced by David Pugh \u0026amp; Dafydd Rogers Ltd, broke all British box office records for a play, has been produced worldwide and was nominated for an Olivier. In 2010 it won the Whatsonstage Best Comedy Award.\u003c\/p\u003e\n\u003cp class=\"tims-body-text\"\u003eTim’s film credits include \u003cspan class=\"tims-body-text-bold\"\u003eBLACKBALL\u003c\/span\u003e, \u003cstrong\u003e\u003cspan class=\"tims-body-text-bold\"\u003eCALENDAR GIRLS\u003c\/span\u003e\u003c\/strong\u003e (British Comedy Awards, Best Comedy Film 1993) and \u003cstrong\u003e\u003cspan class=\"tims-body-text-bold\"\u003eKINKY BOOTS\u003c\/span\u003e\u003c\/strong\u003e (Sundance Selection, Best International Feature, Florida Film Festival). Tim’s most recent film \u003cspan class=\"tims-body-text-bold\"\u003eTHE WEDDING VIDEO\u003c\/span\u003e was released in 2012 directed by Nigel Cole.\u003c\/p\u003e\n\u003cp class=\"tims-body-text\"\u003eTelevision credits include\u003cspan class=\"tims-body-text-bold\"\u003e MONEY FOR NOTHING\u003c\/span\u003e (Writer's Guild Awards - Best Television Film), \u003cspan class=\"tims-body-text-bold\"\u003eTHE ROTTENTROLLS\u003c\/span\u003e (4 series: BAFTA Award, Best Children's Entertainment 1997), \u003cspan class=\"tims-body-text-bold\"\u003eCRUISE OF THE GODS\u003c\/span\u003e, \u003cspan class=\"tims-body-text-bold\"\u003eTHE FLINT STREET NATIVITY\u003c\/span\u003e,  \u003cspan class=\"tims-body-text-bold\"\u003ePRESTON FRONT\u003c\/span\u003e (3 series Writer's Guild of Great Britain Best Original Series; Comedy Awards, Best Comedy Drama, RTS Awards Best Series, BAFTA nominated Best Drama Series). In 2004 Tim developed a season of single comedy plays entitled  \u003cspan class=\"tims-body-text-bold\"\u003eTRAPPED\u003c\/span\u003e. Tim’s additional credits include a tour of words and original music co-written with Willy Russell in 2004 called \u003cspan class=\"tims-body-text-bold\"\u003eTHE SINGING PLAYWRIGHTS\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"http:\/\/www.ail.it\" target=\"_blank\" rel=\"noreferrer noopener\"\u003e\u003cimg src=\"https:\/\/www.sillabe.it\/img\/cms\/recover\/Sillabe_banner_ail_1.jpg\" alt=\"\" width=\"570\" height=\"190\" \/\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Italian Tour starts October 2015!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"http:\/\/agidi.it\/calendario\/calendar-girls\"\u003e\u003cimg src=\"https:\/\/www.sillabe.it\/img\/cms\/recover\/calendar_locandinaspettacolo.jpg\" alt=\"\" width=\"300\" height=\"429\" \/\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Italian","offer_id":53456984408328,"sku":"9788883478079","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/734.jpg?v=1773074707"},{"product_id":"la-donna-in-nero","title":"La Donna in nero","description":"\u003cp class=\"CORPOTESTO\"\u003e\u003cstrong\u003e\u003cem\u003eThe second longest-running play in the West End, and a movie with Daniel Radcliffe finally available in Italian. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"k-type-body-article\"\u003e\u003cem\u003eA lawyer obsessed with a curse that he believes has been cast over him and his family by the spectre of a Woman in Black, engages a sceptical young actor to help him tell his terrifying story and exorcise the fear that grips his soul. It all begins innocently enough, but then, as they reach further into his darkest memories, they find themselves caught up in a world of eerie marshes and moaning winds.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"k-type-body-article\"\u003e\u003cem\u003eThe Woman in Black\u003c\/em\u003e is a ghost story about heartbreak and revenge.\u003c\/p\u003e\n\u003cp class=\"CORPOTESTO\"\u003e\u003cspan\u003e\u003cstrong\u003eSusan Hill\u003c\/strong\u003e was born in Scarborough, North Yorkshire in 1942. Her hometown was later referred to in her novel A Change for the Better (1969) and some short stories especially \"Cockles and Mussels\". \u003c\/span\u003e\u003cspan\u003eShe attended Scarborough Convent School, where she became interested in theatre and literature. Her family left Scarborough in 1958 and moved to Coventry where her father worked in car and aircraft factories. Hill states that she attended a girls’ grammar school, Barr's Hill. Her fellow pupils included Jennifer Page, the first Chief Executive of the Millennium Dome. At Barrs Hill she took A levels in English, French, History and Latin, proceeding to an English degree at King's College London. By this time she had already written her first novel, The Enclosure which was published by Hutchinson in her first year at university. The novel was criticised by The Daily Mail for its sexual content, with the suggestion that writing in this style was unsuitable for a \"schoolgirl\".\u003c\/span\u003e\u003cspan\u003eHer next novel Gentleman and Ladies was published in 1968. This was followed in quick succession by A Change for the Better, I'm the King of the Castle, The Albatross and other stories, Strange Meeting, The Bird of Night, A Bit of Singing and Dancing and In the Springtime of Year, all written and published between 1968 and 1974. \u003c\/span\u003e\u003cspan\u003eIn 1975 she married Shakespeare scholar Stanley Wells and they moved to Stratford upon Avon. Their first daughter, Jessica, was born in 1977 and their second daughter, Clemency, was born in 1985. Hill has recently founded her own publishing company, Long Barn Books, which has published one work of fiction per year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eStephen Mallatratt\u003c\/strong\u003e \u003cspan\u003ewas an English playwright, television screenwriter and actor. He is best known for his television work on the ITV series \u003c\/span\u003e\u003cem\u003e\u003ca title=\"Coronation Street\" href=\"https:\/\/en.wikipedia.org\/wiki\/Coronation_Street\"\u003eCoronation Street\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003ca title=\"The Forsyte Saga (2002 miniseries)\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Forsyte_Saga_(2002_miniseries)\"\u003eThe Forsyte Saga\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e (2002) and \u003c\/span\u003e\u003cem\u003e\u003ca title=\"Island at War\" href=\"https:\/\/en.wikipedia.org\/wiki\/Island_at_War\"\u003eIsland at War\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e (2004), and for his stage adaptation of the novel \u003c\/span\u003e\u003cem\u003e\u003ca title=\"The Woman in Black\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Woman_in_Black\"\u003eThe Woman in Black\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e which has run in the \u003c\/span\u003e\u003ca title=\"West End theatre\" href=\"https:\/\/en.wikipedia.org\/wiki\/West_End_theatre\"\u003eWest End\u003c\/a\u003e\u003cspan\u003e since 1989.\u003c\/span\u003e\u003cspan\u003e He was also an actor, appearing in minor roles in \u003c\/span\u003e\u003cem\u003e\u003ca title=\"Chariots of Fire\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chariots_of_Fire\"\u003eChariots of Fire\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003ca title=\"Brideshead Revisited (TV serial)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Brideshead_Revisited_(TV_serial)\"\u003eBrideshead Revisited\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e. Mallatratt was married three times, to Vanessa Mallatratt, Eileen O'Brien and stage manager Emma London. \u003c\/span\u003e\u003cspan\u003eHe had a daughter, Hannah, with O'Brien.\u003c\/span\u003e\u003cspan\u003e He died of \u003c\/span\u003e\u003ca class=\"mw-redirect\" title=\"Leukaemia\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leukaemia\"\u003eleukaemia\u003c\/a\u003e\u003cspan\u003e in 2004.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color:#008000;\"\u003e\u003cstrong\u003eRead an interview to \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color:#000000;\"\u003e\u003cstrong\u003eSusan Hill\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color:#008000;\"\u003e\u003cstrong\u003eby\u003c\/strong\u003e\u003cstrong\u003e the\u003cem\u003e \u003ca href=\"The%20story%20begins%20with%20Arthur%20Kipps,%20a%20retired%20solicitor%20who%20formerly%20worked%20for%20Mr.%20Bentley.%20One%20night%20he%20is%20at%20home%20with%20his%20wife%20Esme%20and%20four%20stepchildren,%20who%20are%20telling%20ghost%20stories.%20When%20he%20is%20asked%20to%20tell%20a%20story,%20he%20becomes%20irritated%20and%20leaves%20the%20room,%20and%20begins%20to%20write%20of%20his%20horrific%20experiences%20several%20years%20in%20the%20past.%20%20Many%20years%20earlier,%20whilst%20still%20a%20junior%20solicitor%20for%20Bentley,%20Kipps%20was%20summoned%20to%20Crythin%20Gifford,%20a%20small%20market%20town%20on%20the%20north%20east%20coast%20of%20England,%20to%20attend%20the%20funeral%20of%20Mrs.%20Alice%20Drablow.%20Kipps%20is%20reluctant%20to%20leave%20his%20fianc%C3%A9e,%20Stella,%20but%20he%20is%20eager%20to%20leave%20the%20London%20smog.%20The%20late%20Drablow%20was%20an%20elderly%20and%20reclusive%20widow%20who%20lived%20alone%20in%20the%20desolate%20and%20secluded%20Eel%20Marsh%20House.%20%20The%20house%20is%20situated%20on%20Nine%20Lives%20Causeway.%20At%20high%20tide,%20it%20is%20completely%20cut%20off%20from%20the%20mainland,%20surrounded%20only%20by%20marshes%20and%20sea%20frets.%20Kipps%20soon%20realises%20there%20is%20more%20to%20Alice%20Drablow%20than%20he%20originally%20thought.%20At%20the%20funeral,%20he%20sees%20a%20woman%20dressed%20in%20black%20and%20with%20a%20pale%20face%20and%20dark%20eyes,%20whom%20a%20group%20of%20children%20are%20silently%20watching.%20While%20sorting%20through%20Mrs%20Drablow's%20papers%20at%20Eel%20Marsh%20House%20over%20the%20course%20of%20several%20days,%20he%20endures%20an%20increasingly%20terrifying%20sequence%20of%20unexplained%20noises,%20chilling%20events%20and%20appearances%20by%20the%20Woman%20in%20Black.%20In%20one%20of%20these%20instances,%20he%20hears%20the%20sound%20of%20a%20horse%20and%20carriage%20in%20distress,%20closely%20followed%20by%20the%20screams%20of%20a%20young%20child%20and%20his%20maid,%20coming%20from%20the%20direction%20of%20the%20marshes.%20%20Most%20of%20the%20people%20in%20Crythin%20Gifford%20are%20reluctant%20to%20reveal%20information%20about%20Mrs%20Drablow%20and%20the%20mysterious%20woman%20in%20black.%20Any%20attempts%20by%20Kipps%20to%20find%20out%20the%20truth%20causes%20pained%20and%20fearful%20reactions.%20From%20various%20sources,%20Kipps%20learns%20that%20Mrs%20Drablow's%20sister,%20Jennet%20Humfrye,%20gave%20birth%20to%20a%20child,%20Nathaniel.%20Because%20she%20was%20unmarried,%20she%20was%20forced%20to%20give%20the%20child%20to%20her%20sister.%20Mrs%20Drablow%20and%20her%20husband%20adopted%20the%20boy,%20and%20insisted%20that%20he%20should%20never%20know%20that%20Jennet%20was%20his%20mother.%20The%20child's%20screams%20that%20Kipps%20heard%20were%20those%20of%20Nathaniel's%20ghost.%20Jennet%20went%20away%20for%20a%20year.%20When%20realising%20she%20could%20not%20be%20parted%20for%20long%20from%20her%20son,%20she%20made%20an%20agreement%20to%20stay%20at%20Eel%20Marsh%20House%20with%20him%20as%20long%20as%20she%20never%20revealed%20her%20true%20identity%20to%20him.%20She%20secretly%20planned%20to%20abscond%20from%20the%20house%20with%20her%20son.%20One%20day,%20a%20horse%20and%20carriage%20carrying%20the%20boy%20across%20the%20causeway%20became%20lost%20and%20sank%20into%20the%20marshes,%20killing%20all%20aboard,%20while%20Jennet%20looked%20on%20helplessly%20from%20the%20window.%20%20After%20Jennet%20died,%20she%20returned%20to%20haunt%20Eel%20Marsh%20House%20and%20the%20town%20of%20Crythin%20Gifford,%20as%20the%20malevolent%20Woman%20in%20Black.%20According%20to%20local%20tales,%20a%20sighting%20of%20the%20Woman%20in%20Black%20presaged%20the%20death%20of%20a%20child.%20%20After%20some%20time%20(but%20still%20years%20before%20the%20beginning%20of%20the%20story),%20Kipps%20returns%20to%20London,%20marries%20Stella,%20has%20a%20child%20of%20his%20own,%20and%20tries%20to%20put%20the%20events%20at%20Crythin%20Gifford%20behind%20him.%20At%20a%20fair,%20while%20his%20wife%20and%20child%20are%20enjoying%20a%20horse%20and%20carriage%20ride,%20Kipps%20sees%20the%20Woman%20in%20Black.%20She%20steps%20out%20in%20front%20of%20the%20horse%20and%20startles%20it,%20causing%20it%20to%20bolt%20and%20wreck%20the%20carriage%20against%20a%20tree,%20killing%20the%20child%20instantly%20and%20fatally%20injuring%20Stella.%20%20Kipps%20finishes%20his%20reminiscence%20with%20the%20words,%20\" target=\"_blank\" rel=\"noreferrer noopener\"\u003e\u003cspan style=\"color:#008000;\"\u003etelegraph\u003c\/span\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color:#008000;\"\u003e\u003cstrong\u003eVisit the \u003cspan style=\"color:#000000;\"\u003eoriginal production website\u003c\/span\u003e:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/thewomaninblack.com\/the-show\" target=\"_blank\" rel=\"noreferrer noopener\"\u003e\u003cspan style=\"color:#008000;\"\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/www.sillabe.it\/img\/cms\/recover\/Screenshot%202016-10-25%2012.43.25.png\" alt=\"\" width=\"300\" height=\"91\" \/\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Italian","offer_id":53456984801544,"sku":"9788883478314","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/835.jpg?v=1773074715"},{"product_id":"glengarry-glen-ross","title":"Glengarry Glen Ross","description":"\u003cp\u003e\u003cspan style=\"color:#ff0000;\"\u003ePremio Pulitzer nel 1984, il Glengarry Glen Ross di David Mamet va in scena in Italia nell’autunno 2016, all’Eliseo di Roma, nella traduzione di Luca Barbareschi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eQuattro agenti immobiliari di Chicago, Levene, Roma, Moss e il loro supervisore, Williamson, lavorano insieme vendendo proprietà improbabili a prezzi gonfiati. La storia ha inizio nel momento in cui i capi dell’agenzia, Mitch e Murray, lanciano una “gara di vendita”: il venditore che ottiene il guadagno più alto vince una Cadillac, mentre i due che ottengono il risultato più basso saranno licenziati. I profitti di ciascuno di loro vengono scritti su una lavagna e Roma è in cima alla lista come miglior venditore, mentre gli altri tre fanno sempre più fatica. Si scatena così una battaglia senza quartiere per accaparrarsi clienti e contratti, finché la situazione precipita…\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:#ff0000;\"\u003eDAVID MAMET \u003c\/span\u003e(Chicago, 1947), regista e autore teatrale, nonché attore, produttore cinematografico americano. Nel 1984 vince il premio Pulitzer con “Glengarry Glen Ross”, che lui stesso adatterà per il film “Americani” di James Foley del 1992. Nel 1981 firma la prima sceneggiatura cinematografica per “Il postino suona sempre due volte”. Nominato due volte agli Oscar per la sceneggiatura,  nel 1983, per “Il verdetto”, e nel 1998, per “Sesso \u0026amp; potere”, debutta come regista nel 1987 con “La casa dei giochi”, vincendo a Venezia il premio per il miglior film.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eIl volume è stato presentato in antemprima il 15 giugno in occasione della conferenza stampa di presentazione della stagione 2016-2017 del \u003cspan style=\"background-color:#ffffff;color:#ff0000;\"\u003eTeatro Eliseo\u003c\/span\u003e a Roma, diretto da Luca Barbareschi \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"http:\/\/www.teatroeliseo.com\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/conferenza.jpg?v=1772478570\" alt=\"\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Italian","offer_id":53456985030920,"sku":"9788883478888","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/850.jpg?v=1773074719"},{"product_id":"american-buffalo","title":"American Buffalo","description":"\u003cp class=\"p1\"\u003eDopo 30 anni il capolavoro di \u003cstrong\u003eDavid Mamet\u003c\/strong\u003e ritrova tutta la sua attualità nella traduzione di \u003cspan style=\"color:#800000;background-color:#ffffff;\"\u003e\u003cstrong\u003eLuca Barbareschi\u003c\/strong\u003e\u003c\/span\u003e e nella messa in scena all’Eliseo di Roma il prossimo autunno 2016.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"background-color:#ffffff;\"\u003ePuò un vecchio nichelino frantumare il sogno americano? Nel fatiscente negozio di un rigattiere di Chicago, un cliente si imbatte in un vecchio nichelino (l’American Buffalo) e lo compra per 90 dollari. Quando Don, il proprietario, viene a conoscenza del valore reale di quella monetina decide di averla indietro a tutti i costi. Coinvolge nel suo progetto l’amico Bobby e Teach, uno spaccone paranoico e violento. I tre portano avanti il piano criminale come fosse una normale transazione d’affari. Ma quando falliscono non esitano a scagliarsi l’uno contro l’altro senza esclusione di colpi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eIl volume è stato presentato in antemprima il 15 giugno in occasione della conferenza stampa di presentazione della stagione 2016-2017 del \u003cspan style=\"color:#f92305;\"\u003eTeatro Eliseo\u003c\/span\u003e a Roma, diretto da Luca Barbareschi \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"http:\/\/www.teatroeliseo.com\"\u003e\u003cspan style=\"background-color:#ffffff;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/conferenza.jpg?v=1772478570\" alt=\"\" width=\"300\" height=\"300\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Italian","offer_id":53456985194760,"sku":"9788883478871","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/851.jpg?v=1773074725"},{"product_id":"ad-averne-la-stoffa-1","title":"Ad averne la stoffa","description":"\u003cp\u003eChe ci fa un sarto su una barca in mezzo al mare, con un carico di stoffe? Cosa direbbero la seta, il bisso, un paio di jeans o un abito smesso, se per una volta potessero raccontare la loro storia in prima persona? \u003cbr\u003eE un calzino bucato poi, perché parlarne? \u003cbr\u003ePretesti, pretesti perfetti pescati a caso tra i mille possibili che le stoffe concedono per raccontare di epoche precise, dei mille mestieri che le riguardano, di personaggi romantici e avventure anche solo plausibili. \u003cbr\u003eE poi i ricordi personali, quelli che ognuno ha, da ritrovare tra le parole e di cui prendersi nuovamente cura. Di questo, di stoffe, tessuti e ricordi altrui in cui ritrovare i propri, vorrebbe raccontare questo libro.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiero Tallarico\u003c\/strong\u003e nasce a Savelli (Crotone) nel 1963. Trascorre a Milano infanzia e adolescenza; nel 1988 si trasferisce a Pisa, dove attualmente vive. \u003cbr\u003eScrittura, musica e cucina le sue principali passioni. Per Carmignani Editrice ha pubblicato Il Ricettacolo (2014) e Il cielo non era granché (2016). \u003cbr\u003eDa oggi si intende anche di stoffe e tessuti.\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Italian","offer_id":53456985293064,"sku":"9788883479281","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/951.jpg?v=1773074730"},{"product_id":"cera-una-volta-un-bambino","title":"C'era una volta un bambino…","description":"\u003cp\u003e\u003cspan style=\"color:#df2828;\"\u003e\u003cstrong\u003eTHIS IS A BOOK YOUR CAN CHOOSE TO READ, OR LISTEN TO, OR EVEN READ YOU LISTEN…\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eIn an increasingly adrift world, it is enough to remember everything we learned during the first years of school: \"Share your snack, help the playmate in difficulty, commit yourself to do well, read, dream, love and smile!\" These few principles are enough to be better adults. And a narrating voice that tells us a story.\u003c\/p\u003e\n\u003cp\u003eOnce upon a time there was a child...\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Default Title","offer_id":53456985751816,"sku":"9788833402710","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/2160.jpg?v=1773074736"},{"product_id":"vorrei-amare-e-amare-fino-in-fondo","title":"Vorrei amare e amare fino in fondo","description":"\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003eLa pubblicazione “Vorrei amare e amare fino in fondo”, titolo tratto da una preghiera di Corrado, raccoglie un’ampia selezione di manoscritti trascritti fedelmente, redatti dal 1979 al 2011 e suddivisi in sette capitoli tematici: Giovani, Missione, Vita interiore, L’uomo, Alla scuola di Padre Corrado, San Francesco, Testamento. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003e«Le sue meditazioni e riflessioni, immagino scritte nella sua cella del Convento dei Cappuccini di Poggio al Vento a Siena e poi presso il Centro delle missioni cappuccine di Prato, attraversano tutta la vita del cristiano, le vicende umane e storiche, l’anno liturgico che qualifica il tempo, la vita francescana e cappuccina, l’amore sconfinato per i giovani e la missione, ma tratteggiano anche un Padre Corrado meno conosciuto: sono quelle scritte nel segreto delle ore necessarie della notte nelle quali emerge in modo commovente il suo incessante desiderio, la sua sofferenza generatrice e la sua  preghiera  di riuscire ad amare tutti “fino in fondo”». Augusto Paolo Card. Lojudice, Arcivescovo Metropolita di Siena – Colle di Val d’Elsa - Montalcino\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003e\u003cem\u003e\u003cstrong\u003eIl ricavato, grazie al sostegno di Opera Laboratori e della casa editrice Sillabe, sarà interamente devoluto per il progetto Nursery and Primary School “Padre Corrado” a Kongwa, Tanzania\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin:0cm 0cm .0001pt;font-size:medium;font-family:Calibri, sans-serif;\"\u003ewww.missionicappuccinitoscani.it\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Default Title","offer_id":53456985882888,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/2163.jpg?v=1773074740"},{"product_id":"quattro-croci-a-siena-1","title":"Quattro croci a Siena","description":"\u003cp\u003e\u003cstrong\u003eAn atmospheric crime novel that transports the reader to Siena in the late 1970s\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eSiena, spring 1979. In a city still suspended between the elegance of its past and the political tensions that ran through Italy during the Years of Lead, three murders shake the quiet routine of city life. Three victims with nothing in common, three different locations, three different methods: the crimes seem impossible to link to the same perpetrator. \u003c\/p\u003e\n\u003cp\u003eCaterina, a fifty-year-old librarian, a methodical, reserved woman accustomed to searching for answers among the bookshelves, becomes involved almost by chance. A detail that the investigators have overlooked, a coincidence that only an eye accustomed to books and codes can grasp: from that moment on, Caterina finds herself following a subtle thread that connects the three murders to a single, disturbing director.\u003c\/p\u003e\n\u003cp\u003eWhile the city of Siena grapples with the climate of suspicion and fear spread by terrorism, with the Brigate Rosse (Red Brigades) in the background threatening an already fragile balance, Caterina's investigation becomes increasingly personal. Each victim carries with them a piece of a larger puzzle, and each step forward reveals a web of secrets, grudges and long-buried truths.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor Raffaele Ascheri, a teacher, writer and blogger, creates a crescendo that keeps the reader on the edge of their seat until the very last chapter.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Sillabe Casa Editrice","offers":[{"title":"Default Title","offer_id":53456986407176,"sku":"978-88-3340-592-6","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0929\/7638\/2216\/files\/2671.jpg?v=1773074750"}],"url":"https:\/\/sr1nmq-df.myshopify.com\/en\/collections\/narrativa.oembed","provider":"Sillabe Casa Editrice","version":"1.0","type":"link"}