Rivista "Codice 602" - 2023

The publication of "Code 602" coincides, as always, with the beginning of the new academic year of the "Luigi Boccherini" Conservatory of Music in Lucca.

The magazine debutes with I trii op. 63 and op. 80 by Robert Schumann by Maria Teresa Arfini and then continues with the second article reserved for Maria Luisa Baldassari's meticulous research, with Bach a Napoli, scambi e contaminazioni tra Italia e Germania. 

We remain in the 18th century with Mariateresa Dellaborra and her Il terzo suono di Rameau» ovvero la ricezione della teoria ramista in Italia nel XVIII secolo  to continue with Carlo Fiore's multidisciplinary approach with his Svjatoslav Richter interprete della Sonata op. 26 di Ludwig van Beethoven. 

An original contribution to ethnomusicology in this issue belongs to Marco Magistrali. In his Guido Tirinnanzi, suonatore contadino a Turicchi, the accurate ethnomusicological research on the experience of Guido Tirinnanzi (1917-2013), sharecropper farmer and diatonic accordion player in a district of Valdisieve, is recounted and described, while The association between music and art is narrated in the article by Alessandra Rey Tommasi, who presents us with an unpublished in-depth study on Guido Tirinnanzi, suonatore contadino a Turicchi, made on the occasion of the centenary of the death of the painter Angiolo Tommasi. 

The section "Studi sulla musica a Lucca" is dedicated to Alessandra Fiori's essay, Elena e Gerardo di Marianna Bottini. Seconda parte: la musica as we conclude with the excerpt from Ezio Guerra's excellent dissertation entitled La sublimazione della poesia nelle trascrizioni di Franz Liszt da Lieder e liriche.